La “pelota”, como suele llamársele al béisbol en Cuba, se convierte en el principal foco de atención en un texto que la desmitifica y la entrecruza con múltiples aristas de nuestra nacionalidad.
Among the characters of a new type who have moved to the Cuban social centre stage in recent years, the intermediary (or go-between) holds a visible, noted place in any of the service spaces. Their performance is never protagonist but rather it is secondary, but their role always calls attention. But how is this manifested? What is their field of action? What do they control (or put out of control)?